Henry Ford, Privilege and Gayness


Many of us do not comprehend what it means to be part of a minority group. This post was an eye opener for me and bonus, there is a great book recommendation here too.

Originally posted on :


In 1913, Henry Ford started paying his workers $5 per day, a huge amount for the time and a more than 100% raise from what they were previously earning. It’s seen as a milestone in modern capitalism, the moment when employers realized that workers were also consumers, that raising their wages created a generation that would buy as well as work.

Last week in London I randomly read The Greatest Business Decisions of All Time, which has a chapter on Ford’s decision and some of the unsightly details of how he rolled it out.

It came with some strings attached. The headline pay was divided into two parts: wages (about $2.40 per day for an unskilled worker) and “profits” (about $2.60 per day). All workers received wages for their work at Highland Park, but they shared in the profits only if they were deemed worthy. Six months’ service was…

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Sax Art du Jour ~ Mark Kazav

“Mark Kazav is an artist of distinct style and conceptual integrity. He at once challenges the viewer with vibrant color and bold images. Mark has developed his own personal style which is indeed colorful, visually stimulating and a pleasure to own. Mark paints use a “wet-in-wet” technique, attempting to capture the essence of subject, rather than detailed expression. These paintings are reflective of both his philosophy of life and his personality, employing the use of colors as vibrant as any work of art such masters as Matisse or Van Gogh.” ~ Mark Kazav website

This picture really caught my attention, there is so much happening here, layer upon layer.


I like the idea of painting with a pallet knife and the colors just pop here.

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Pricing your Band ~ A Lesson in Economics

My favorite things in life don’t cost any money. It’s really clear that the most precious resource we all have is time. ~ Steve Jobs

I have been running the Microsoft Jumpin’ Jive Orchestra for approaching 12 years. Three to four times a year I get a call from potential customers who, upon hearing the price, respond with, “But you did (names the one charity gig we do a year) for free.” More often than not, this kind of customer wanders off when they hear our price.

The cost to our own band members to play a free gig can be high. For example, consider these costs:

1. $100 to $200 for 20 musicians to drive to gig and pay for parking.
2. $50 to $200 for subs to cover the folks who can’t make it.

And that is the least it costs us as musicians. For our last gig the band shelled out $250 just to play for a gig that paid $400.

If you look at the picture below, can see the stand fronts that my wife created for us. These have to be redone every two years because they wear out with hundreds of uses.


So I’ve created some rules that I use to price my band. Remember, we don’t get paid, only the subs do. But I have been to enough horrible gigs that I have priced some at extraordinarily high prices because, well to be frank, we don’t want to do those kind of gigs.

    • If you want us to play what amounts to 2 hours of music over a 5 hour period, that costs the same as 5 hours.
    • If you want us to play more than 2 hours, the rate doubles.
    • If you want us to play outside on a hot day, even if we’re in a tent, the rate triples.
    • If you want us to play past mid-night, the rate doubles.
    • If you want us to play on a holiday, the rate doubles.

16585138769_f7d474a29b_zAm I the only one who schedules a band like this? Thank goodness we have day jobs. Thank goodness that this band is a taxable non-profit venture. There is no money in this, we play for the love of the music. And if there is any serious money, we have in the past donated them to various charities.

More reading: Here is an example of how another group of bands are booked.

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Music Notation Software Update 2015

Saw this article and wanted to put it in my reading file. The bottom line:

Upgrade bottom line:


  • If you use Sibelius 7, I think that’s a good version to stick with for now. (that’s the version I use for most of my work.)
  • If you use Sibelius 7.5, that’s fine too. (This version added some small new features, but it also changed the file format, so it’s annoying to share files with people working in earlier versions.)
  • If you use Sibelius 6, that’s a little tougher call. It’s acceptable to work in, but there are some limitations and it’s now several versions back. I would recommend moving on from that version before long.
  • If you use any version prior to 6, I would recommend you upgrade to 7 or 7.5 before you get trapped in the version 8 licensing scheme. But act quickly, you’ll need to buy 7/7.5 from a retailer who has existing stock since Sibelius is no longer selling those versions.


  • Finale 2014d is pretty stable and it’s the version I tend to use for most projects. But opening old files in new versions of Finale can cause problems, or in some cases it won’t even work. Finale’s free NotePad is surprisingly the best choice for opening old Finale files and allows for simple editing.
  • If you use a version of Finale prior to ver. 2012, it’s time to upgrade.
    Notation software is absolutely essential for virtually anyone who needs to write down a musical idea. I have about 70,000 music files on my computer, and I’d estimate 2/3 of them are in Sibelius format, the rest in Finale and SCORE format. I don’t foresee abandoning Sibelius or Finale any time in the future, and I am reasonably confident the programs will remain functional and useful, even if they don’t add any significant new features or fix the glaring problems that remain. Perhaps Steinberg’s entry into this market will shake things up and force some serious competition among all of the programs. Despite all of the grim news here, I remain optimistic and hopeful.

Read more: http://www.newmusicbox.org/articles/to-upgrade-or-not-to-upgrade-a-notation-software-update/

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Belgium Sax Note

Gotta luv a saxophone loving country. And why not the country that brought us the creator of the sax. Antoine-Joseph “Adolphe” Sax was a Belgian musical instrument designer and musician who played the flute and clarinet, and is well known for having invented the saxophone. He also invented the saxotromba, saxhorn and saxtuba.



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Pheasants in the Backyard

Be as a bird perched on a frail branch that she feels bending beneath her, still she sings away all the same, knowing she has wings. ~ Victor Hugo

pheasant pair_4098Suzy and I wandered into the kitchen just in time to see two very happy pheasants feasting on the fermented seed from our bird feeders. They are very skittish so we moved slowly so as not to bother them. Living next to protected growth patch of land has it’s privileges. There is so much life happening there and we get to witness it year-round.

The male has a call very much like a vintage car. The female is quiet and well camouflaged. The move up and down the street for an area about a mile long and a quarter mile deep. I have borrowed these pictures from the Internet because I can’t quite get close enough to snap a shot myself. But these pictures very closely capture what we are seeing, delighting in the nature that surrounds us.

pheasant pair2

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Wall Ornament du Jour

The purpose of art is washing the dust of daily life off our souls. ~ Pablo Picasso


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